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UNESCO launches platform on living heritage and COVID-19
In line with its response to COVID-19, UNESCO is launching a web platform to share and exchange experiences of living heritage in the context of the pandemic, both in terms of its impact and the diverse ways in which communities turn to their living heritage as a source of resilience and recovery.
IMPACT ON LIVING HERITAGE
Experiences shared so far through an online UNESCO survey have shown the scale of disruption across the world, with many significant festive events and rituals cancelled or postponed. Some communities can no longer access the cultural and natural spaces and places of memory necessary for expressing their intangible cultural heritage, while others are restricted from coming together to share and enjoy many aspects of their intangible cultural heritage, which is so vital to the life of their communities.
This has not only caused disruptions in the social and cultural lives of many, but has also resulted in loss of income for many bearers and practitioners of intangible cultural heritage. Those working in the performing arts and traditional crafts, who largely operate in the informal sector, have been particularly hard hit. Although it is still early to assess the economic costs, artisans the world over have responded to the survey noting loss of livelihoods as they face challenges in supplying orders and accessing raw materials.
ADAPTING TO CRISIS
Intangible cultural heritage, however, is dynamic in nature and has the capacity to adapt and evolve. Survey results demonstrate that communities have sought ways to continue practicing their intangible cultural heritage, despite quarantine and confinement measures. Many Holy Week celebrations for example, from Colombia to Venezuela and Croatia to Italy, still went ahead this year, albeit in adapted form.
Online initiatives and platforms have sprung up, providing new ways to disseminate and transmit knowledge about intangible cultural heritage. In Georgia, traditional feasts continue to take place online, with tables of traditional food and drinks arranged in front of computer screens and toasts performed virtually.
Social networks are playing a prominent role in helping people stay connected while being physically apart. For folk singers in Rajasthan, India, who must often travel to perform, live performances are organized through Facebook, providing a sense of solidarity with other artists and inspiration to continue.
More time spent in the home has heightened opportunities for teaching about intangible cultural heritage within the family. From Jamaica to Lebanon, many traditional cultural practices, such as culinary traditions and crafts, are being revisited under lockdown. Parents are cooking traditional meals with young members of the family, using recipes passed down from older generations and sharing the results online.
TOOLS FOR RESILIENCE
While the COVID-19 pandemic has underscored the fragility of living heritage in emergencies, such situations can also provide reinvigorating or creative contexts for intangible cultural heritage, prompting the re-emergence or renewal of interest in abandoned elements or even the emergence of new ones.
Many elements of intangible cultural heritage are being transformed in the context of the pandemic to support and reinforce public health measures. Artists in Peru and China, for example, are creating face masks using traditional design and techniques. Amazigh communities in the Moroccan Atlas Mountains share poetic verses related to COVID-19. Traditional string puppet performances in Sri Lanka tell stories of confinement and social distancing, while in Senegal, the mythical figure of Kankurang, traditionally the guarantor of order and justice, parades in the streets from 8pm until dawn, enforcing village curfew.
SHARE YOUR STORY
Explore these stories and more on UNESCO鈥檚 on living heritage and the COVID-19 pandemic.
Living heritage continues to be important for all of us during times of crisis, providing a sense of connection and continuity and reinforcing the social bonds between us. How have you been engaging with your living heritage in response to the pandemic? And what role can living heritage play in such difficult times?
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鈥淭imes of crisis and disruption sometimes give birth to fresh bursts of creativity. Once again, ICH proves its worth: the power to adapt, mutate and rethink itself鈥︹
鈥淥ur purpose is to use art as a way to identify ourselves with our original culture in these difficult times and to promote Sarhuino art in our country and abroad鈥︹
鈥淥ne practitioner of traditional string puppet drama has produced four short video clips to educate the public on responsible behaviour to prevent the spread of the virus...鈥
"The Berber (Amazigh) community of the Moroccan Middle Atlas strengthened its resilience in the face of the pandemic by sharing poetry verses and poems related to COVID-19鈥.
鈥淔or Dikopelo practitioners, no activities will take place during the state of public emergency because their practice requires more than two people鈥.鈥